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Beastie Boy has cancer

In a homemade video that was placed on the band’s website, Adam Yauch, of the Beastie Boys, announced today that he has cancer.

As he explained in the video, Yauch said he could feel a small lump in his throat and that doctors had recently found cancer in his parotid gland and in a lymph node.

He then said that the cancer is treatable and that it will not affect his voice. He is going to have surgery next week to remove the tumor and will need several weeks of treatment, following that.
As a result, the band is going to cancel some of their  future shows and they will probably delay the release of their new album, which was due out on September 15 of this year.

The video is available for viewing here: http://beastieboys.com/

The Beastie Boys, originally a hardcore punk group, initiated in 1979.  They switched to hip hop with the release of their single, Cooky Puss, which was followed by their successful debut album, Licensed to Ill.

It’s reported that, “The group is well-known for its eclecticism, jocular and flippant attitude toward interviews and interviewers, obscure cultural references and kitschy lyrics, and for performing in outlandish matching suits.”

 

The story of Anvil

Anvil!: The Story of Anvil
United States, 2009
Directed By: Sacha Gervasi
Written By: Sacha Gervasi
Starring: Steve “Lips” Kudlow, Robb Reiner
Running Time: 90 min.
Not Rated: 4 out of 5 stars

"You can’t kill the metal. Metal will live on."
      — Tenacious D

Anvil!: The Story of Anvil opens with a bit of on-screen text that’s every bit as subtle as the first few bars of Sabbath’s “Iron Man”: “In the summer of 1984, Anvil toured the world with the biggest bands in rock: Scorpions, Bon Jovi, Whitesnake.  All of them went on to sell millions of records around the world. All of them, except one.”
As you might have guessed, the “except one” here is Anvil, a Toronto-based outfit frequently credited with laying the groundwork for thrash, as well as other heavy metal trends of the 80’s and 90’s — but also one that never made a dime off of their music, and never received any degree of recognition outside of the most dedicated of heavy metal fans.

And here’s the kicker: they’re still around.

“Still around,” as in, still together as a band, still performing regularly, and still kicking out an album every so often.

Their only reasonably well-selling album, Metal on Metal, was released more than a quarter-century ago, and yet the creative core of the band, drummer Robb Reiner and vocalist/guitarist Steve “Lips” Kudlow (now both in their 50’s), continue to chase their dreams of conquering the charts and becoming rock stars — and documentary filmmaker Sacha Gervasi (who used to be a roadie for the band) is here to tell their story

After some brief interviews with Lemmy of Motörhead, Slash of Guns ‘n Roses and Velvet Revolver, and Lars Ulrich of Metallica, all of them testifying to what a huge influence Anvil was on their music, we get a cold dose of reality.

The middle-aged Reiner takes us on a tour through his current place of employment: a minimum-wage-paying catering service.

The idealized metal portraits that open the film are abruptly replaced with the drabness of everyday life in the poor end of the suburbs, as well as candid interviews with the two men’s long-suffering wives, sisters, brothers, and parents.

What we’re left with is a sometimes-hilarious, sometimes-heartbreaking meditation on being stuck in perpetual adolescence and what happens to a dream deferred.

I wouldn’t be the first (and I certainly won’t be the last) to compare the film to Spinal Tap, the classic “mockumentary” released (ominously) in 1984 and directed (even more ominously) by Rob Reiner (who is, of course, no relation to Anvil’s drummer).

The earlier film mocked 1980’s metal mercilessly, and, of course, 1980’s metal (with its infantile obsession over sex and violence) was certainly a deserving target.  But however laugh-out-loud funny the film was, its true strength was its humanization of its characters.

Every scene felt real, and every member of the fictional band (no matter how moronic) was wholly realized and completely sympathetic.  And in many ways, Anvil! manages to do something similar — an accomplishment which comes off as both a little bit easier and a little bit harder.
Easier because Kudlow and Reiner really are real people (duh).  Harder because they’re fifty-year-old men still pursuing a teenage dream that — at least in some sense — passed them by a long time ago.

In truth, Anvil! plays like a sad, twisted sequel to Spinal Tap (sort of like Return to Oz, if you’ll allow me to reach a little).  The band who embodies every cliché of 80’s metal is now old and forgotten, having been dealt a raw deal by life and left in the dust by changing musical trends.

While Spinal Tap was a comedy with occasional tragic moments, Anvil! comes off as more of a tragedy with occasional comic moments.  As we watch the band embark on a disastrous tour of Europe and struggle through recording their thirteenth album, it becomes clear just how badly they yearned for the life they never received.

It’s also far more meaningful than your average rockumentary. Anvil! is a film that appreciates its subject band, but it doesn’t exist simply to enshrine them, or simply to make money off of their fans (it can’t, seeing as Anvil fans are few and far between).

Nor is it overly concerned with capturing concert footage (most of the shows take place in seedy dives where it would be impossible to get decent footage anyway), and it’s certainly not here to blow in-band conflict out of proportion (take that, Some Kind of Monster).

What it does do is depict a side of music-making rarely seen in the mass media: failure.  The vast majority of musical acts that begin with dreams of stardom lead to absolutely nothing, and Anvil is just one of them.
Toward the end of the film, Reiner’s brother sums it up fairly succinctly: “He chose this. He would rather live a life of poverty than a life of mediocrity.” And indeed, that’s what seems to have occurred.

In a sense, you probably have to be a metalhead to fully appreciate Anvil! — I’ve never fully understood the subculture myself, and there were certainly moments when I wanted to tell everyone onscreen to get an education and wash their hair (at least once, guys).

But in a more profound sense, Anvil! really is a must-see for anyone aspiring to be an art-maker of any sort, simply because it forces you to stare straight down the barrel of disappointment.

The vast majority of people who attempt anything simply fail at it, deservedly or not. If you have a dream, the odds are wholly on the side of it not coming true.

And yet, that’s no reason to stop trying.

Like This is Spinal Tap, Anvil! ends on an uplifting note with a triumphant concert in Japan.  The similarity is almost definitely intended, and as with Reiner’s film, the moment transcends whatever crushing disappointments may have come before it.

Music is made, people feel connected to one another, and for one brief, perfect moment, the band captures a glimpse of their lifelong dream.  It worked in Spinal Tap, and it works here, because the yearning for beauty — in whatever form it may come — is a universal one.

And moments of beauty are still worth working for, whatever the odds of failure may be.

The importance of Anvil! has been overstated a bit in much of the mainstream press, which, for the most part, is still controlled by Baby Boomers, and still fetishizes rock ‘n roll to a slightly embarrassing degree.

In truth, Anvil! is probably not the undisputed classic that Spinal Tap is, and it certainly has somewhat less to say.  But when I say its importance has been overstated “a bit,” though, I mean just that — “a bit.”

What the film lacks in raw emotional power, it makes up for in pure substance.  Anvil! is an unblinking look into the face of what gets left behind when the music industry runs off to chase after the latest trends — and that, in and of itself, is a rare enough thing to merit a thoughtful viewing.

Anvil!: The Story of Anvil is currently playing at The Circle Cinema.

See the movie trailer. 

About the author: Luke Harrington is a film critic, editor for MovieZeal.com, freelance writer and English major extraordinaire who currently resides in Tulsa. Contact him at luke.t.harrington@gmail.com This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Meet Kris Allen, American Idol 2009

A Tulsa Today Special

The highly anticipated 2009 American Idol tour, featuring the top 10 contestants from the show’s eighth season, arrives at the BOK center on July 24th.

Featured performers include: Adam Lambert, Allison Iraheta, Anoop Desai, Danny Gokey, Lil Rounds, Matt Giraud, Megan Joy, Michael Sarver, Scott MacIntyre and the new American Idol Season Eight Winner, Kris Allen.

In a coveted interview, Tulsa Today met with Allen briefly to gain a little more insight on this talented artist, his new projects and the current tour.  “I’m looking forward to our performance in Tulsa. We’re doing something like 10 little shows and we are all really excited about it,” Allen said.
“Everybody is ready to sing and entertain. That’s what we are in the business for and we’re looking forward to doing that.”
Allen, who is working on his first cd compilation now, said he is trying to figure out the right songs for it.

“I can’t wait. It’s been a lot of co-writing,” he said. “I‘m happy about that.”

A gifted musician, Allen spent a number of years in orchestra, under the instruction of Principal Bass Player for the Arkansas Symphony Orchestra, James “Jim” Hatch.

In a Tulsa Today exclusive, Hatch states, “My main idea of Kris is that he is very talented and has the ability to pick up on things right away–style wise.  That is very evident.  He has written songs on his own in the past and that will be something that comes easily for him.”

He continues, “I’m reminded of the quote, Don’t give me inspiration, give me a deadline.  Kris will have to deal with that.  He is the type that gets totally immersed in his work, so he’ll be able to handle those deadlines.”

One of the world’s leading viola players, Allen is also described as a musician that knows what to do with Mozart.  “That is really part of his overall talent. He can pick up anything and play or sing it,” Hatch said.

Among other influences, Allen credits both Hatch and his best friend from college, Matt Carpenter for contributions to his success.

Tulsa Today met up with Carpenter, who was just returning from a trip to Africa, for some additional detail.

Carpenter states, “For those just now getting to know Kris, I’d say the one thing to realize about him is that he is truly humble and that he is quite an unassuming guy.  For as talented as he is, he has never sought the spotlight.  It tends to find him.”

Together, Carpenter and Allen have traveled the world to places such as Spain and Morocco on mission trips.

When asked if he thought Allen’s new success would impact their friendship, Carpenter stands firm.  “I have seen him develop a lot throughout the years and I’m going to be here for him in the future.”

(Hear a raw segment of the telephone interview with  Matt Carpenter, talking about his best friend Kris Allen. This is audio recorded for a clip, following the initial interview.  Despite some cell phone challenges, we decided to go ahead and post the segment. Enjoy!)

Allen, who was born in Jacksonville, AR, married his beautiful wife Katy in September 2008, immediately following the conclusion of this year’s American Idol live two hour season finale on FOX, when Allen was crowned the 2009 winner.

A record breaking 624 million votes were cast overall–more than any other season in the show’s history.

The American Idol tour is on the road from July-September 2009. Doors will open at 5:30pm for the July 24 BOK Center performance.

Ticket prices for this event range from $40-$69 and can be purchased online at www.bokcenter.com. The show begins promptly at 7pm.

American Idol is created and executive produced by Simon Fuller, founder of 19 Entertainment and executive produced by Cecile Frot-Coutaz, CEO, FremantleMedia North America; and Ken Warwick, executive producer, FremantleMedia North America.

American Idol season nine auditions will be held this summer in Boston, Atlanta, Chicago, Dallas, Orlando, Los Angeles, and Denver.  For more information visit www.americanidol.com.

Or, to learn more about the new 2009 American Idol, visit Kris Allen’s Official Website. To read more about Arkansas, where Allen plays after Tulsa, read our previous review on Little Rock.

Tulsa Today is pleased to welcome Kris Allen and the American Idol Tour to Oklahoma.

All material in this article was officially authorized by the American Idol Tour.

Although there are several authorities in the vast area of music, we are proud to quote Allen’s teacher and to offer Tulsa Today reader’s this exclusive interview. Your support has been inspiring. Be sure to read the follow-up review on the American Idol Tour in Tulsa

Sweet, Sweet Connie: Rock n Roll Groupie

As Rocklahoma survivors emerge, it seems fitting to give a salute. Here’s one for all you hard rocking classic rock fans. Another Tulsa Today Exclusive.

Classic rock bands sustain.  So do the women who love them.  Consider Sweet, Sweet Connie, a groupie whose name hit the mainstream back in 1973, when Grand Funk released the title song from their album, “We’re An American Band.”

Performed by Don Brewer, it’s an autobiographical depiction about life on the road.  Sky-rocketing straight to number one before the album was even released, the hit catapulted Grand Funk into such world wide fame that they sold out arenas and toppled charts with record sales of more than 25 million.

Since then, that little song about a sweet girl backstage, has been performed by countless bands, decade after decade, in venue after venue.
As it lives on, Sweet, Sweet Connie keeps on rocking.  It’s utterly amazing the way two little lines of lyrical poetry have seemingly immortalized her:
Last night in Little Rock, put me in a haze / Sweet, Sweet Connie-was doing her act / She had the whole show and that’s a natural fact. The song rolls on…

We’re an American Band / We’re coming to your town / We’ll help you party down. / We’re an American Band.

“I was so surprised when I heard it for the first time,” Connie Hamzy says at the beauty shop.

“My mother always wanted me to be a nurse, but I saw the girls backstage in those wild clothes and I wanted to be one of them.  I was too young then, but it didn’t keep me from trying.”

We chat it up as Hamzy gets her hair done by Tulonda Ellison, hair stylist and a make-over by Cheryl Heard, make-up specialist.

We’re at a little place called Bee Jay’s Hairstyling Academy, just off of the beaten path.

“You can do the blush, but I better do the mascara,” Hamzy says to Heard.

Anyone who has ever met Hamzy knows that she wears very little make-up.  For that reason, talking her into it was no easy task.

A few hours and a couple of rock and roll stories later, she’s a walking work of art.

The infamous rock and roll groupie, who has done interviews with the likes of Spin Magazine, Penthouse, VH1, Joan Rivers, Jenny Jones, Sallie Jesse, Lisa Gibbons, MTV, Cosmopolitan and so many more, looks like the rock star she is.

Hamzy, infamous for her relationships with groups such as Grand Funk, Van Halen, Bad Company, the Eagles, Led Zeppelin and so many more, is stunning.

She’s not arrogant or ashamed of the escapades which have rightly earned her a place among a small, elite group of rock goddess groupies like Pamela Des Barres (Miller), Morgana Welch, and Patti Boyd, who had highly publicized relations with George Harrison, John Lennon and Tulsa’s favorite frequent foreign friend Eric Clapton.

There’s also Bebe Buell, famous for her relationship with the Rolling Stones and Steven Tyler, who wrote the book, Rebel Heart: An American Rock n Roll Journey and let’s not forget Lori Maddox, either.

While most of these ladies settled down, Hamzy has not.  “I’m still in it.  We don’t have a regular promoter around these parts, but there’s a lot going on in other areas.”

Although Hamzy was recently engaged, it ended quickly. “He lied,” she says, while showing me her ring. “A friend of mine goggled him and we found out that he wasn’t what he said he was.”

It seems even Hamzy has to be careful these days. Still, she didn’t consider the loss of her beau for too long–as her heart belongs to a member of Van Halen and probably always will.

“You know, Edward spent a ton of money trying to prove cigarettes do not cause cancer,” Hamzy, who has never smoked a cigarette, said. “He’s mad at me at the moment and I’m hoping he gets over it soon. Our relationship goes way back.”

Hamzy calls me up on the phone every once in a while and we chat about these things.  Interestingly enough, I even received a call from her the morning after the David Cook concert in Tulsa.  When I told her that I ran into him after the show, she giggled and asked….

“No, nothing like that happened,” I say, laughing. “You should have been here with me.”

Sadly, my rock and roll memento box is nothing compared to the countless photos that Hamzy has hanging around her house, where there is probably enough memorabilia to fill a museum.

Not only does she have photos, there’s a ton of backstage passes pinned to the wall and an impressive collection of drum sticks.

The drum sticks were all gifts. “My favorite is a Ludwig that I got from a female drummer,” Hamzy said.

“It’s difficult for women in this business as they tend to get the shaft.  Everyone seems to be of the mentality that they should keep women barefoot and pregnant.  Male drummers get all kinds of endorsements, but women rarely do.”

She continues, “The rock and roll industry is getting harder and harder.  Record companies have all but gone away. The internet is never going to be as much fun as the good old days.”

Hamzy, who refuses to get a computer, is surprised by the information posted about her on the web.

“One misconception is that I have a book.  I had bad management and the book was never published,” she said. “People [on the Internet] report a memoir in 1995 with the title Rock Groupie: The Intimate Adventures of “Sweet Connie” from Little Rock (The title ISBN 9781561713615 was never printed.) You can’t get a copy of it,” Hamzy said.

If there’s a message that she’d like to put in print it’s one about stereotypes and preconceived notions.

“Don’t judge me,” she says, “It’s important to keep an open mind. A lot of people would kill to be where I am.”

Throughout the years, it is true that several people have tried to steal her identity.  “They usually don’t get very far,” she said.  “The people who matter know who I am.”

Regardless of her age, and she is quick to point out how old she is, she’s still envied.  When it comes to getting older, she states proudly, “I’m still doing what I enjoy.  I’ve slowed down a little, but not much.”  Despite varying accounts on the Internet, Connie Hamzy was born in Jan. of 1955.  She receives an occassional birthday card from Pamela Des Barres.

She continues, “You just have to take remarks about aging to the chin. Sammy Hagar taught me that.”

Along with her impressive rock and roll resume, Hamzy is also revered for a highly publicized meeting with Bill Clinton.

In 1991, it’s reported that Hamzy was approached by an Arkansas state trooper on behalf of Bill Clinton, when he was still governor in 1984.

Hamzy is reported to have claimed that she and Clinton looked for “a place where they could have some privacy for an assignation, but couldn’t find one.”

George Stephanopoulos denied her account of things on behalf of the President.  When asked further, Clinton told media that Hamzy approached him in a hotel lobby, flipped down her bikini top, and asked him, “What do you think of these?”

Stephanopoulos secured affidavits from three people to validate Clinton’s claims.  Although various news outlets such as CNN reported on the issue when it first hit the media, no one pursued it further after the initial accounts.

I ask Hamzy about the buzz surrounding the Clinton affair. “Look, I met up with Clinton in a hotel lobby.  The two of us went into something of an utility closet.  We were about to do some things and a police officer walked in on us,” she said.  “I might be a whore, but I don’t lie.  I took three lie detector tests that were administered by a police officer and I passed each one.  There’s no way you can lie on those things.”

Her brief encounter with Clinton did lead to a 1992 tell-all article and contract with Penthouse, worth a stunning $20,000.

Following that, Hamzy also attempted a run for office, but never made the final ballot.

While attention to her political affairs were front and center for quite some time, it’s her love of rock and roll that earned her world wide noterity.

I ask how she ever got started in this business and she responds, “My mother didn’t like to drive in traffic.”

For that reason, Hamzy’s mom would take her daughter and her friends to concerts hours before the shows were scheduled to start. “We were just hanging around outside one day, when a promoter approached me and my friend and asked if we wanted to meet the band.”

The two girls, who were only in the ninth grade at the time, drove off with the promoter in his limousine. The rest as the say, is rock and roll history.

It’s been nearly five decades since little Connie Hamzy was out at the lake, listening to a radio as the announcer introduced the new Grand Funk song that made her so famous.  She remembers the way she started yelling and jumping up and down. “I was so happy,” she said.

Even though the band’s producer had telephoned a few weeks before the release to say the group had written something about her, she had no idea at that time, what it was.

“I fell in love with the song the instant I heard it,” Hamzy said.

It’s apparent the rest of the world did, too. Hear the song here.

Photo and story: Tracy Crain, www.TulsaToday.com
This is an excerpt from a more in-depth project currently under consideration.

Collective Soul and DeGraw at Spirit Bank Center

Spirit Bank Event Center played host to a superb night of entertainment on Tuesday as Collective Soul, Gavin Degraw and opener Green River Ordinance took to the stage with a show built for just about any type of music genre.

I missed Green River, unfortunately, but heard great feedback from people in the crowd about this up and coming band from Texas.

In the setup time between GRO and Collective Soul, the arena was a buzz with young and old concert goers alike, which gave the night a strange but appealing look.  Regardless of music preference, it was a show that had rock and pop fans uniting under one banner to spend a fun-filled, groove heavy night together.

Since this writer is a fan of Collective Soul and because I have performed their music in a few of my own bands, seeing them was a real treat.
As the main arena lights went out and the band slowly made their way onto the stage, red led strip lights topped with blinding spots came on–aimed at the crowd.

Ed Rowland (Lead Singer) of Collective Soul suddenly appeared and shouted in the microphone, “Welcome to all of you!” and began a blistering set of new and classic CS hits of which they have seven #1 records.

The band was in great form playing heavy guitars and thundering drum lines.  I had forgotten how much these guys really do rock.

When they came out in the early-mid 90’s, they received heavy rotation on local mainstream and alt rock radio. They somehow managed to rotate out of that area into adult, mainstream contemporary markets.

There are as many bands these days that are indefinable. In my opinion, Collective Soul has moved into that category.

Rowland danced with his microphone stand much of the night, a little distracting at times, looking like the ala Adam Ant “Room at the Top” video. Yet, he did have a great deal of swagger and stage presence.

He made comment of being a fan of 80’s music groups The Police, The Cars, U2 and INXS, the last two of which he did have a great likening to the front men of.  (Very Bono-esque in his approach to mic and stand with a hint of Michael Hutchence.)

His comment led into the newer song “Hollywood.”  All of the hits were there, “December,” “Gel,” “Heavy,” and “The World I Know.”  Each were met with enthusiasm from the crowd, which sang back and at times served as “the lead singer of Collective Soul.”

The band left the stage for a brief break and returned for encore numbers, two of which were “Where the River Flows” and probably the band’s best know song and first ever single, “Shine.”  This ended a fantastic set of very hard rocking and mid-tempo songs that had many people in awe of the band and their show.

After a brief time of tear down and setup for Gavin Degraw, the lights went out again and the drummer came onto the stage–very much a modern looking musician with his nicely fitted cliché vest and tie.

He climbed onto the riser and took his place upon his throne, where he began drumming up a tremendous beat. He was soon joined by the bass and lead guitarists as Gavin came strolling onto the stage, taking his place behind a black baby grand piano.

“How is everyone tonight?”  “Are you ready to have some fun tonight?” Both questions were met with screams and applause from the crowd.

I must admit I have no real knowledge of DeGraw. Honestly, I had to use Pandora radio on an iPhone to hear any of his music.

I am not really a Top 40 listener, so this was a new artist to me.  That being said it is easy to see why Gavin DeGraw is one of the rising stars in the new crop of singers and songwriters that are emerging in the industry these days.

He quickly had the audience eating out of his hand with catchy lyrics and groove laden tunes.

He and his band are quite an entertaining and likable group.  They had great interaction with the crowd and even poked fun at Kenny Chesney at one point when DeGraw got up from the piano and was surprised at how tight his jeans were.

Making mention that he “thought he was wearing some Kenny Chesney jeans there for a second,” DeGraw moved from sitting behind his piano to playing guitar and using his mic, all with great ease and fluidity.

He took his time when speaking to the crowd, telling stories about the different songs he did.  As the evening grew, the tempo did as well and his songs followed suit.

A drawing showman and solid songwriter, it’s evident that DeGraw has a very bright future ahead of him.

The only downside that I can see to this show was the venue.  It was not very crowded and the show did not seem to be marketed very well.

Tulsa Today was in a holding pattern, waiting to interview DeGraw for an exclusive preview when it was cancelled at the last minute, due to his schedule demands. Even so, we did manage to provide a brief preview for DeGraw and Collective Soul the day of the event as there was little else to mark the coming of this band.

With a new arena that is not quite a year old and the musical history of Tulsa, I guess I would expect to see more energy put into luring people and big name acts to the Spirit Bank Event Center, which is an area that has outstanding restaurants and clubs just ripe for a great partnership.

I hope in the future this will come to fruition, helping to make for a fantastic venue.