Recently released tax documents reveal how billionaire “philanthropist” George Soros expanded his U.S.-based empire by using funds from the American Recovery and Reinvestment Act of 2009, also known as the Obama stimulus.

Soros and Obama worked hand-in-glove through the stimulus, which has
been called the largest single partisan wealth transfer in American
history.

In 2010, tax records show that Soros, a convicted inside trader with extensive knowledge of the American financial system and government policies under Obama, deployed grantees from his Open Society Foundations1 to lobby for and acquire federal contracts for job training, green energy, and community redevelopment programs.  By gaining control over those resources, Soros advanced his agenda for “green economics,” open borders, and increased government handouts. In short, he grew his empire, which includes much of the “progressive” movement in the U.S., as the federal government and Obama’s political constituencies grew in power and influence.

This report analyzes George Soros’s grants to organizations in 2010.  The records show massive coordination of non-profit networks in the states and nationally.  Four powerful organizations and coalitions — The STAR Coalition, The Gamaliel Foundation, the Apollo Alliance, and Green for All — are given detailed scrutiny in this regard, with the involvement of Van Jones getting special mention. Jones is the former Obama “Green Jobs Czar” fired after information about his communist past surfaced through the work of anti-communist blogger Trevor Loudon and then-Fox News personality Glenn Beck.  The lobbying power of such efforts ensured that stimulus funds flowed from taxpayers into union coffers and into the hands of other activists who had been instrumental in putting President Obama into office.

The report, “Obama Stimulus Dollars Funded Soros Empire,” includes an analysis of how Soros-funded organizations and networks operate, the strategies used to steer stimulus money to special interest lobbies, and an explanation of how taxpayers were forced to subsidize the “progressive” movement in the U.S. However, only Congress, with its investigative powers, can get to the bottom of how this money was spent and into whose coffers it ultimately ended up.

Click here to read more: Obama Stimulus Dollars Funded Soros Empire.

Tulsans in House District 71 will decide today in a primary election which candidate will represent them in the general election to replace former-Rep. Dan Sullivan.  Tulsa Today has the details.

While most primary debates are separated by party registration; Monday February 6 brought an inclusive comparison of party and personal perspectives to voters.  Here are a few thoughts and an endorsement from that debate for your consideration.

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Today at 4 pm on the David Arnett Show on AM 740 and FM 102.3 news, talk, KRMG, we will cover the general topic “Incompetence in Office” on a local, state and national level.

Tulsa City Councilor John Eagleton will be the guest in-studio during the first hour discussing his call this week for the ouster of Tulsa Mayor Dewey Bartlett and answering listener questions on that and other local topics.  For more information, Tulsa Today readers may find his ouster affidavit and a power point presentation on the topic at www.johneagleton.com.

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It’s 20 years late, but this week Tulsa’s own Leon Russell was finally inducted into the Rock And Roll Hall Of Fame.  Politics and back door deals are part of these things.

Percy Sledge had one hit and he’s in. Al Kooper was involved with many hit-makers and he isn’t. Leon was inducted in what used to be called the ‘Sideman’ category, though he’s been that, producer, arranger, conductor, Grammy-winning songwriter, rock star in his own right, and #1 concert draw.

There are only a couple of people who have played on as many hit records as Leon Russell. The first was The Ventures’ version of Telstar. He played piano on Herb Alpert’s biggest album, Whipped Cream which contained the huge hit A Taste Of Honey. He has played on top ten hits by The Crystals, Jan & Dean, The Beach Boys, Garry Lewis & The Playboys, The Byrds, Delaney & Bonnie, Joe Cocker, George Harrison, Bob Dylan, Eric Clapton, Willie Nelson and countless others.

In fact when he met Willie, they were listening to Willie’s first album and Leon asked “Who’s on piano? The guy is stealing all my licks.” It turns out Leon had played on it without ever meeting Willie.

Leon worked for Jack Nitzche, Herb Alpert and Phil Spector as a session man and arranger, thereby learning how to produce records.

Alpert said “Leon would show up in a suit and tie, maybe looking perplexed – ‘I don’t know what to do.’ I gave him complete freedom; ‘If you think of something that fits, put it in’. Leon has this great groove.  He’s in his own time zone.  He’d play a simple accent and then the band just filled in around him.  He’s one of America’s greatest musicians.”

His early productions were Jan & Dean and Garry Lewis. Marc Benno, whom he also first produced, said that “Leon played everything on “This Diamond Ring” – he knew how to assemble all the parts to make a pop hit.” Benno goaded a reluctant Russell into “Doing something you want to do.” And they became Asylum Choir.

Shortly after that, the studio legend moved into the spotlight with Delaney & Bonnie, then Mad Dogs & Englishmen, which contained many of the same people and the future Dominoes. He recorded part of his first album in England and the stars were clamoring to play with him. Chris O’Dell asked George Harrison if Ringo might do a Leon session. He said he’d ask, “If I can play too.”

“Roll Away The Stone” is one of the rockingest songs ever.  The band on that track is Charlie Watts, Bill Wyman, Mick Jagger,  Eric Clapton and Steve Winwood.  How’s that for credentials?

Sadly, the general public didn’t know this for years because Leon couldn’t credit them .

“At the height of my popularity I was tired and took a couple of years off.  When I came back, it wasn’t there.”  Asked why he isn’t better known he replied “I just didn’t pursue that.  I’m not drawn to television and the press.”  This is why Benno calls him “The Howard Hughes of rock.”

In 1973, Leon was back in Tulsa and built three state-of-the-art studios; one at his home in Maple Ridge, one on Grand Lake, and the famous Church Studio. Shelter records produced Tom Petty, Dwight Twilley, Willis Ramsey, Phoebe Snow, J.J. Cale and Freddy King.

Two years ago Elton John was listening to Leon’s Greatest Hits and started to cry, because Leon was so under-appreciated.  Elton was petrified in 1970 at The Troubador when he saw ‘his hero’ sitting in the front. “No one plays piano like him, and he writes these beautiful melodies.  The Ballad Of Mad Dogs & Englishmen is as good as anything ever written.”  Leon’s songs have been covered by literally hundreds of artists.  “The last few years, he’s been driving the bus, playing small gigs and putting food on the table.” said John.

So Elton and Leon have a new album out; “The Union”, produced by T-Bone Burnett.  Leon even wrote a song for Elton. When they finished, Leon said “Thank you for saving my life.” His wife added “You got to him just in time.” It moved Elton to tears again. “In my whole life, it was the most moving thing I’ve ever experienced. He needs to be in the Hall Of Fame; we’ll see if that happens.” Echoing Alpert: “He’s one of America’s greatest musicians.”

To support the induction of Leon Russell into The Rock And Roll hall Of Fame, click here.

For more and, as some suggest, ALL Things Leon, click here.

Beginning Saturday April 3, Tulsa Today publisher David Arnett will host a live radio talk show on AM 740 and FM 102.3 KRMG news talk radio.  The two hour show will air once a week and focus on local and state issues with guest interviews and listener calls featured.

Following Rush Limbaugh’s Week in Review, the David Arnett Show will air on Tulsa’s top news, weather, and traffic station each Saturday from 4 to 6 pm.

Arnett said, “This is a very different adventure from that of a writer.  In print and online since 1985 I have covered issues as a journalist and editorialist.  In that work; the personal pronoun is avoided, rewrites and edits are standard, and a great deal more time in consideration of serious issues allowed.  Radio is live.  Topics can be prepared in advance, but where this show may go is anyone’s guess.

“I am greatly honored to follow Rush Limbaugh and to host a show on the most influential talk station in Northeastern Oklahoma.  The talent of Rush and Joe Kelly, Neal Boortz, Sean Hannity, Michael Savage and others is remarkable.  Each has their own style and issues of particular concern, but all love America and agitate for a brighter future for all citizens.  On the David Arnett Show, we will do the same.”

Arnett said, “Tip O’Neill — long serving Speaker of the U.S. House — once declared, ‘All politics is local,’ but if that is true then how much more is all media local?

“I believe problems of government and society can be solved from the ground up with individual commitments, family discussions, and community debate that then filter up to Washington.  Given the current challenges, the immediacy of war and financial crisis Americans must speed that process up.  God knows, the election of President Barack Hussein Obama and overwhelming Democrat control of Congress is moving us at ‘warp speed’ to some undefined if not bizarre collective nanny state , but issues on the local level are just as threatening to the principles of individual freedom and liberty.

“After twenty-five years as a working reporter in the heartland of America, I still have more questions than answers and on KRMG we will engage in broad debate, ask questions and seek solutions.

“For example, I want to know why it is not double jeopardy against citizens for public employees to be unionized.  A public union negotiates with elected public officials, but they are, at best, mid-management – the taxpayer is the boss and pays the bills.

“Functionally, this is like a manager giving everyone a raise while the owner is away on vacation.  When the boss gets back, he can fire the manager, but to pull back the raise would seriously offend the workforce.  Should the public not vote on a public union’s contract?  Are we not the boss of them!

“Any involuntary taking by tax, fee, permit, or regulation by government is plunder by force of law upon its people.  While some tax is the price paid for accomplishment impossible individually, government does not create wealth.  It only consumes the wealth of the governed – like a hideous all-consuming tumor when unrestricted,” Arnett added.

“In Tulsa we have development issues, budget issues, corruption issues, and questionable competency in public office.  This could be a great deal of fun.”

Arnett’s work will continue to be featured on Tulsa Today.